1892-94 (140 Kb); Oil on canvas, 25 5/8 x 21 1/4 in; Collection Mr. and Mrs. Ira Haupt, New York
A romantic picture,
a hermit's vision of heat, solitude, and ruin in
nature--a space for the Saint Anthony of Cézanne's youthful
imagination. The verticality of the picture, the upward tilted ground
without perspective lines, create a strange world: everything is close
to us, we are shut in by the intense empty sky, the irregular horizon,
the steep and unstable ground, the ruined house. It is an effect of
intimacy and strain, of restlessness and quiet. The theme of the
cracked wall is carried through the landscape; the black lines of the
cracks reappear in the forms of the tree trunks, in a path on the
ground, and in the markings of the rocks. The one human object, the
house, set in the fork between earth and rock, rests on a point, like
the agitated trees, and repeats their branching form. The lines of the
building, accented by the red tiles, are adjusted to the slope of the
ground. There are fine decisions in the play of horizontals and
diagonals throughout. The dark window, so starkly set in the hexagon
of the wall, is no isolated shape; it is tied to the ground through
two similar massive rocks.
-- Meyer Schapiro