I would suggest that you learn the shortcut keys to the more often used effects. This makes navigation much easier.
Text Effects
These are not so intuitive, here's a couple of examples that will get you started.
RAISED GOLD LETTERING
1. Start with a black image. (Ctl+K)
2. Click the Text tool button to invoke the text designer.
3. Type your text. Increase the font size to somewhere
in the 20's, and choose something like a Garamond font. Make your
text yellow.
4. Put the text in the center of the image, then do a Negative
to reverse colors (Ctl+N). You should now have a white image with
blue text.
5. Do a LaPlace Filter (Ctl+P). Your text should now be
outlined in yellow, on a black image.
6. Copy it to the buffer (Alt > B > C).
7. Undo the LaPlace Filter (Ctl+Z)
8. Do a Find Edges (Ctl+Alt+F). Your Text should now be
a blurry yellow on black image.
9. Merge the buffer with the image (Alt > B > M).
10. This should produce a raised text that looks golden. You
should soften it and brighten it to 'shine it up' some.
GRADIENT FILLED LETTERING
1. Start with a black image (Ctl+K)
2. Design the text, in some sort of bold font. The bigger
the better. Any color except black.
3. Center the text in the image.
4. Choose the eyedropper tool, and click somewhere in your text
to pick up the color.
5. Copy the image to the clipboard (Ctl+C)
6. Design the gradient, I like HorizCenter. Paste it to
the image (Alt > G > P)
7. Paste Transparent (Alt > E > P > T). Choose the Brush
color as transparent color.
This will give you a gradient filled text on a black background. You can take this a step further:
8. Copy the image to the clipboard. (Ctl+C)
9. Assuming you used the HorizCenter gradient, paste it back
into the image (Alt > G > P)
10. Rotate the image 90 degrees clockwise (Ctl+Alt+X)
11. Paste transparent (Alt > E > P T). This time, allow normal
transparency (lower left pixel, which should be black).
12. You now have gradient text on a gradient background.
There may be some artifacts, depending on the font you used, and if you
have the Plus! font smoothing on or not.
Text is hard to read if any distortions are applied, so I would recommend
keeping the settings low for waves and twist, etc.
Filters work great, for the most part.
MultiColor Gradients
This is a bit more involved, but once you've done it, it's easy. You basically shrink the gradients, copy them, then paste them back as a selection.
1. Design a gradient, VertCenter, use default blue colors.
Make it 256 wide by 128 high. Paste to image.
2. Copy the image to the Clipboard.
3. Do a quick resize to make the image 256 X 256. (Ctl
+ Q)
4. Paste the clipboard as a selection (Alt > E > P > S).
The smaller version of the gradient sits at the 0, 0 location. Click
on it to finish the paste operation.
5. Copy the image to the buffer (Alt > B > C)
6. Design a gradient, VertCenter again, change the To Color to
Yellow or Red. Make it 256 wide by 128 high. Paste to image.
7. Copy the image to the clipboard. (Ctl + C)
8. Paste the buffer to the image (Alt > B > P).
9. Do a mirror U/D (Ctl + M)
10. Paste the clipboard as a Selection (Alt + E + P + S). Click
on it to finish the paste operation.
You now have a more colorful gradient to start distorting. I usually copy the finished multicolor to the buffer. You can make more than just the two different colors, of course, this was just to get you started.
Quick ReSize versus Smooth ReSize
One last thing that is not intuitively obvious is the effect resizing has on an image. In the main document I mentioned this briefly under the HarmSwizzle distortion. Let's use the multi-color image from the previous example.
1. Paste the multicolor gradient to the image, if it's not already
there.
2. Change the orientation so the bars go up/down. Use the
Rotate90 (Ctl + Alt + X)
3. Here's a kind of shortcut using the keyboard, instead of scrolling
the treeview: Do a SineWave L/R (Ctl + E). Then UnDo it (Ctl
+ Z). This leaves the User input exposed for that effect. Change
the Peaks to 256 (assuming that's the height of the image) and the Height
to 64. Make sure the Wrap and Use Peaks boxes are checked.
Click on the Execute.
4. This produces a fuzzy loking image. Now, do a Seamless
4way Flip (Alt > I > S > F).
5. Now, we'll compare the quick resize with the smooth resize.
Do the Quick resize first (Ctl + Q), back to a 256 X 256 image. It
takes on an odd shape, kind of an inverse mirror thing. OK, Undo
that operation (Ctl+Z) and try the smooth resize (Ctl + R) back to 256
X 256 again. This time, the image is more what you'd expect.
The image come's back into clarity because of the loss of pixels that occurs
when a resize is done.